The romanticization of barbarism and the struggle for the rights of native peoples
images and representations of the indigenous in José de Alencar's Iracema
DOI:
https://doi.org/10.17564/2316-3801.2025v12n3p220-237Abstract
The central aim of this work is to analyse the romanticization of the civilizing process of the indigenous people in Brazil and the transfiguration of these peoples in the narrative and characters of José de Alencar's Iracema. Despite its claim to break away from European standards and establish a typically national literature, the work ends up using a colonial viewpoint that is characteristic not only of the time it was written, but also of the Brazilian imagination to this day, justifying violations of the rights of indigenous peoples, denying them their culture, traditions, knowledge and land rights.